Political and Symbolic Deaths, Struggles for Meaning and Survival Assignment

Political and Symbolic Deaths, Struggles for Meaning and Survival - Assignment Example The film depicts situational irony, wherein because of death anxiety, people want to assert life-affirming ideologies, and yet the more that they do so, the more that they end up hurting others and themselves when one of the best ways to handle it is to simply live and co-exist. Death anxiety shows that one of the greatest ironies in life is that the more people want to preserve life, the more they hurt others to do so. Some people become inhumane because of death anxiety, and they exhibit this through prejudice and discrimination (Flight from Death). Associate Professor of Social Work at Illinois State University Daniel Liechty asserts that to fight death anxiety, â€Å"One of easiest ways to make [people] feel more than mortal is to stand as the conqueror of someone else, so there’s this†¦tendency†¦to want to lift [themselves] up by elbowing people down† (Flight from Death). Prejudice and discrimination help people feel better and secure with their lives by believing that they are superior to others. McHugh shows the discrimination of the speaker of the poem against Germans: â€Å"where it must have been abandoned by/the German visitor (was there a bus of them?)†¦Ã¢â‚¬  (27-28). ... Flight from Death emphasizes that when people fear death, they tend to overgeneralize people. Jeff Greenberg, Psychology Professor of the University of Arizona, notes that after 9/11, a number of people are so deeply disturbed of being reminded of their death that they killed a man wearing a turban when he was an Indian Sikh (Flight from Death). He stresses that because of the heightened reminder of death, several people resort to scapegoating and generalization (Flight from Death). The makkoli vendor in Krukowski’s story detests the generalization. In the end, he does something symbolic: â€Å"[He] pours the white liquid into a paper cup, eyes locked with ours. Still smiling, he pours it on the ground† (Krukowski 9). The action signifies that he does not care what he is selling because his occupation does not define his existence. When a group of people sees another as different, they fear death that come from clashing ideologies, so they denigrate the other as inferio r. Another way of hurting others is through competing with them in a rat race culture. Sheldon Solomon, a Professor of Social Psychology at Skidmore College, says that the American culture perpetuates death anxiety, even more through its various social expectations. He notes that it is not enough to be a person with integrity because they must also be rich, beautiful, famous, or extremely thin (Flight from Death). Otherwise, they are more likely to feel wanting in the world and more anxious about their mortality (Flight from Death). Krukowski exemplifies competitiveness in the real world that drives people’s fortunes: â€Å"Clue to the power of silent movies: Clara Bow’s career was ruined when sound revealed her heavy Brooklyn accent.  

The Forbidden City Essay Example | Topics and Well Written Essays - 1000 words

The Forbidden City - Essay Example A city, which is now Beijing, was a significant commercial center in the beginning of the ninth century BC. It became the administrative core of the principality of the Yan and eventually became the capital of Liao and later on the Jin. The northern tribe, the Tartars, constructed a city near this site in the tenth century.ii When the Venetian explorer Marco Polo visited the location, he illustrated it as the city of Khan, with fortified roofs highlighting the green flora of mulberry trees. Modern Beijing is roughly five centuries old, with several of its prominent edifices entirely restored. When Yung-lo instituted Beijing as his Chinese capital in the early fifteenth century, he commissioned roughly 200,000 laborers to construct the imperial city. Hsu Tai, Feng Chiao and Yuan An, his three engineers, were provided with the direction to build a massive, affluent and mystifying palace to function as the metropolis of the Emperor to the rest of the world. The role of the Emperor was a difficult one. Auditoriums were required for receiving delegations, along with places of worship for sacramental cleansing and processional paths. He as well demanded expansive domestic residences with backyards for himself and his loved ones in addition to administrative housing.iii The Forbidden City was entangled in ceremonial and spiritual notions. Legend tells that the core structure of the City was envisioned in a reverie by the mentor of Yung-lo, a futurist monk. He envisioned a celestial city, wherein the Lord of Heaven dwelled in a purple enclosed space, which is assumed to be a constellation shaped by 15 heavenly bodies revolving around the polestar.iv As Chinese cosmology believes, purple was an embodiment of bliss and happiness and as well as that of the polestar. Hence, the Emperor proclaimed himself as the Son of Heaven, with the divine obligation